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Thursday, July 16, 2015

STEN #6: THE RETURN OF THE EMPEROR

A NOTE FROM ALLAN
REGARDING STEN #6:
THE RETURN OF THE EMPEROR


“What’s the matter with the sons of bitches, Marc?” Chris was saying into the phone. “They’ve got enough money from the Rambo movies and Terminator Two alone to choke a herd of Wall Street fat cats, but they can’t seem to cough up the fifty grand they owe Bunch and Cole.”

He listened a minute, then snorted derision. “Oh, fuck Carolco,” he said. “The money is two months overdue. You tell that asshole at Business Affairs that if you don’t see a check in his office by Friday we’re calling the Guild.”

This threat obviously produced panic because I heard frantic babbling on his line. Chris held the phone away from his ear, grinning at me. Mouthed the words “He’s fuckin’ freaking out.” When the babble died down he said, “We’re not bluffing, Marc. They can pay up, or feel the union heat – bigtime!”

The call ended. Chris returned the phone to its cradle. He said, “Rock bottom, all agents are chicken shits. Even those clowns at CAA.”

At the time, CAA was the most powerful talent agency in Hollywood – which meant the world. Chris and I had signed with them after dumping the Weasel, whose namesake we’d killed – and killed Gully Foyle filthy – in Court Of A Thousand Suns. We weren’t regretting the decision; it was a joy just to never her his whiny voice again. But so far we were less than impressed with CAA’s performance.

The situation was like this: It was time to write the next book in the Sten series – Return Of The Emperor. We needed to shut down the Hollywood business for a couple of months so we could get a healthy start on the book, plus finish a proposal for an historical trilogy that we knew would be a game changer in our fortunes.

But to do that, we needed fuck you money, which is defined as a savings account large enough to tell purveyors of Hollywood bull pucky to fuck off and pass on their projects. I mean, we were down so low at one point while completing our Vietnam novel – A Reckoning For Kings – that we’d had to write the pilot for a series titled – and I shit thee not -  “Towtruck Boogie.”

Got the picture? Thought you might.

Anyway, we needed the fifty grand and we needed it now so we could get down to some serious hammering of prose. But we had run into an immovable object: Hollywood Greed. All companies in Hollywood are slow pays. They hang on to the money as long as possible so they can collect the interest. It is your agents job to keep on them constantly, but they also pulled down a guaranteed salary every week and didn’t empathize with the plight of a freelancer who must live by his/her wits or see no paycheck at all. Besides, in the real world of Tinsel Town, most agents would rather piss off their clients than the studios.

Carolco proved to be the worst of the lot. Their toupee squad at Business Affairs made the guys at Universal Studios look like pinko Commie people lovers. The thing is, the only reason we took the gig was because of pressure from CAA. It was potentially a fun project – a movie of the week for CBS about a futuristic Alcatraz. Robot guards, atrocities, etc. But we’d also been offered a gig writing a script for John Milius’ production company. It was a supposedly true story about a young Teddy Roosevelt leading a rescue party to save a group of girls kidnapped by Indians. Of the two, we preferred the Milius project (Known for Apocalypse Now, Red Dawn among others, Milius also turned out to be one hell of a nice guy), but CAA was adamant that a gig for Caroloco was a much better career move. We later learned they had a behind the scenes practice of bundling writers, directors and even actors they represented and strong arming the companies to buy the whole package. In this particular case it became obvious that there was more ten percents to be made from Caroloco than little old John Milius, who after all, was only a lowly writer at heart.

As Chris put it later: "And so, red asses that we were, we fucking fell for it."

After my partner hung up, I tried to work on my portion of the outline for “Return.” Ended up just doodling as I mulled over our dilemma. And the anger built.

The threat Chris made to call the guild was not an idle one. The WGA (Writers Guild Of America – West) has strict rules about their writer being paid on time. By contract, the producer was required to pay story money within two weeks of ordering the story. And the script money was due within two weeks of delivery of first draft. We’d done both over two months ago.

Of course, the danger of a writer actually calling up to complain was that he/she was going to piss off the producer, which did not bode well for future work. That’s what the agents insisted, at least. But Chris and I had not forged a successful screenwriting career by being good little writer mice. Squeaky wheels and cranky old lions tend to get noticed first.

Finally, I looked up at Chris, who I saw was looking at me – amused. “You’re getting pissed, Cole,” he said.

I nodded. “Fuck them,” I said. I’m going to call the Guild now.”

And so I did.

When I was done, I hung up, satisfied that the Guild rep was pissed as I was.

I told Chris, “Why don’t we take our notes and have a long, boozy working lunch?”

My partner brightened. Shuffled through papers on his desk. He said, “We’ve got the book outline pretty much locked. One story line is the gradual return of the Emperor, the other, Sten’s battle with the Privy Council assassins, who think he knows why the AM2 delivery ships stopped the moment the Emperor died. Plus we have the fallout from the end of the war with the Tahn.”

“What do you suggest?” I asked.

Laughed, he said, “The Kilgour joke. We haven’t picked a shaggy dog story for this book yet.”

“Far clottin’ out,” I said, already getting back into Sten mode. Grabbed my notes and my wallet and off we went to the Whales’ Rib where they served fresh oysters, thick salmon steaks and strong drink by the barrel.

It was our self imposed rule that each Sten had to contain at least one recipe from the Eternal Emperor and one  very long, very bad shaggy dog story to be told in the barely penetrable Scots accent of one Alex Kilgour, Sten’s heavy-worlder best mate. Typically the joke would start near the beginning of the book and wouldn’t be completed until near the end of the novel.

So, in between novels, we collected shaggy dog stories and when it came time to write, we’d pick one to enter the InterGalactic Hall Of Bad Humor.

At the Whale’s Rib, we ordered our drinks and salmon steaks, pulled out crumpled notes and considered. By the end of lunch we had our finalists.

Here are the three runners up:

Joke #1:

As we all know, the poor Tahn live in constant terror of their government. And just before the outbreak of war with the Empire there were mass arrests across all the planets under their power. People lived in even greater fear, especially at night, expecting to be carted away by the Tahn Socio-Patrolmen.

One night there was a loud knock at the door of a certain house. The residents cowered in silence, afraid to answer it. The knocking continued, getting louder and louder.

The residents didn't budge - pretending to be asleep. Finally someone started to break down the door.

As he listened to the door give way, one resident thinks to himself: "I'm an old man, I've got to die soon anyway. What am I afraid of? I'll open up to them."

He gets up and goes to the door. A minute later he rushes back to his family, shouting joyfully: "Get up! Get up! It's only a fire!”

Joke #2:

The Tahn Prime Minister read his report to the gathered members of Parliament. Suddenly someone sneezed. "Who sneezed?" (Silence.) "First row! On your feet! Shoot them!" (Applause.) "Who sneezed?" (Silence.) "Second row! On your feet! Shoot them!" (Long, loud applause.) "Who sneezed?" (Silence.) ...A dejected voice in the back: "It was me" (Sobs.)

The Tahn Prime Minister leaned forward: "Bless you, Citizen!"

Joke #3
A Tahn judge strolled out of his chambers laughing his head off. A fellow judge approached and asked what was so funny.

The first judge said, "I just heard the funniest joke in the world!"

"Well, go ahead, tell me!" said the other judge.

Still snickering, the first judge said, "I can't. I just sentenced some poor clot to the firing squad for telling it!"

*****

We tested the jokes out on our waitress, then the bartender and our fellow imbibers. (As usual, there was a large crowd at our favorite local watering hole.)

They all got laughs of varying degrees. But here’s the one that got the most laughs and ended up in the book. I’m giving this to you exactly as it appeared in the book, including the many interruptions.

The Winning Joke:
Laird Kilgour of Kilgour, formerly Chief Warrant Officer Alex Kilgour (First Imperial Guards Division, Retired); formerly CWO A. Kilgour, Detached, Imperial Service, Special Duties; formerly Private-through-Sergeant Kilgour, Mantis Section Operational, various duties from demolitions expert to sniper to clandestine training, to include any duties the late Eternal Emperor wanted performed sub rosa with a maximum of lethality, was holding forth.

"... An' aye, th' rain's peltin' doon, f'r days an' days i' comes doon. An' her neighbors tell th' li'l old gran, 'Bes' y' flee't' high ground.'

" 'Nae,' she says. 'Ah hae faith. God will take care a' me. Th' Laird wi' provide.' "

It was a beautiful evening. The tubby man was sprawled on a settee, his feet on a hassock, his kilt tucked decorously between his legs. Conveniently to his right were his weapons of choice: a full pewter flagon of Old Sheepdip, imported at staggering—staggering to anyone not as rich as Kilgour—expense from Earth and a liter mug of lager.

(Alex is interrupted, but later continues stubbornly onward ...)

*****

An th' rain comit doon an' comit doon, an' th' water's risin'. And her pigs are wash't away, squealin't. An' the' coo's swimmin't f'r shelter. An doon th' road comit ae gravcar.

" 'Mum,' comit th' shout. 'Thae's floodin't. Thae must leave!' " 'Nae,' she shouts back. 'Ah'll noo leave. Th' Laird will provide.'

"An' th' water comit up, an' comit up, an' th' rain i' pel tin' an comit doon. An' the chickens ae roostin' ae the roof. Floodin't her house't' ae th' first story. An' here comit ae boat. 'Missus, now thae must leave. We'll save y'!'

"An' agin comit her answer: 'Nae, nae. Th' Laird will provide.'

"But th' rain keep fallin't. An' th' water keep't risin't. An' coverin't th' second story. An' she's crouchin' ae th' roof, wi' th' chickens, an' here comit ae rescue gravlighter. It hover't o'er th' roof, an' a mon leans oot. 'Mum! We're here't'save y'.'

"But still she's steadfast. Once again, 'Nae, nae. Th' Laird will provide.'

"An' th' rain keep fallin't an' th' flood keep't risin't. An' she drowns. Dead an' a'.

"An' she goes oop't' Heaven. An' th' Laird's waitin'. An' th' wee gran lady, she's pissed!

"She gets right i' Th' Good Laird's face, an shouts, 'How c'd y', Laird! Th' one time Ah aski't frae help—an ye're nae there.' "

The com buzzed. The guvnor answered. "Alex. F'r you. From your hotel."

"B'dam," Alex swore. But he rose. "Hold m'point. 'Tis nae a good one, nae a long one, but be holdin't it anyway."

(Once again, Alex's progress is halted. Will this gag ever be clotting over?)

*****

He had a second for a final mourn.

"Nae m'friends'll nae hear the last line:

"An' th' Laird looki't ae her, an' he's sore puzzled. 'Gran, how can y' say Ah dinnae provide?

"Ah giv't ae car, ae boat, an ae gravlighter!'"


And now, a sample of Sten #6 – The Return Of The Emperor. This time I’m starting with Chapter Four, because I’ve always loved this portrait of a gallery of villains. Also, it better fits the tone of the foreword.

Oh, and before forget:


CHAPTER FOUR 
STEN #6 - THE RETURN OF THE EMPEROR
BY ALLAN COLE & CHRIS BUNCH

THE GETTING OF power had always been a complex thing with complex motives. Socio-historians had written whole libraries on it, analyzing and reanalyzing the past, seeking the perfect formula, saying so and so was the right course to follow, and such and such was obvious folly.

Kin mated with kin to achieve power, producing gibbering heirs to their throne. The threat of such a succession sometimes assured the parents of very long and royal reigns.

Kin also murdered kin, or kept them in chains for decades.

Genocide was another favorite trick, one of the few foolproof methods of achieving majority. The difficulty with genocide, the socio-historians said, was that it needed to be constantly applied to keep the edge.

Politics without murder was also favored—under special circumstances. Power was won in such a case by constant and unceasing compromise. Many voices were heard and views taken into account. Only then would a decision be reached. A little artful lying, and everyone believed they had been satisfied. Everyone, in that case, was defined as those favored beings of material importance. A leader only had to make sure those same beings had sufficient bones of imagined progress to toss to their mobs. The rule there was, that if one had too little, the prospect of more was usually enough to satisfy.

There were other methods, but they tended to follow the same paths.

The most certain way, those historians agreed, was to possess a commodity that beings desired above all else. In ancient times it had been food or water. A well-placed road might accomplish the same end. Sex worked in any era, given the proper circumstances. Whatever the commodity, however, it had to be kept in a safe place and guarded against all possible comers.

The Eternal Emperor had had AM2. It was the ultimate fuel and the cornerstone of his vast Empire. In the past, he had merely to turn the tap one way or the other to maintain complete control. His policies had been supported by the largest military force of any known age. The Emperor had also kept the AM2 in a safe place.

More than six years after his assassination, his killers were unable to find it—and they were about to lose the power they had committed regicide to claim.

Even if they had possessed the key to the Emperor's AM2 treasure chest, it was likely the privy council was headed for disaster.

Times had not been kind.

In the aftermath of the Tahn wars—the largest and most costly conflict in history—the Empire was teetering on the edge of economic chaos. The Eternal Emperor's coffers were nearly bare. The deficit from the tremendous military spending was so enormous that even with the highly favorable interest rates the Emperor had bargained hard for, it would take a century to significantly reduce said deficit, much less pay it off.

When the Emperor was still alive, Tanz Sullamora and the other members of the council had strongly proposed their own solution. It involved freezing wages below the pre-Tahn rate and creating deliberate scarcity of product, forcing sharp increases in the price of goods.

And a hefty surtax on AM2.

Through those means and others, the debt would be quickly paid, and corporate health assured for the ages.

The Emperor had rejected those proposals out of hand.

When the Emperor rejected a thing, it was law. With no appeal.

His Majesty's postwar plans called for a directly opposite approach.

The late, never lamented Sr. Sullamora had detailed the Emperor's views to his fellow conspirators without editorializing:

Wages would be allowed to rise to their natural levels. The war had been costly in beingpower—especially, skilled beingpower. This would result in immediate higher costs to business.

Prices, on the other hand, would be frozen, putting goods within easy reach of the newly prosperous populations.

Of course, the war had been a tremendous drain on supplies. To alleviate that, the Emperor fully intended to temporarily reduce taxes on AM2—immediately—making goods and transportation cheaper.

In time, he believed, a balance would be achieved.

Where the lords of industry had once seen a future of sudden and continuous windfalls, they now faced a long period of belt-tightening and careful management of their resources. Unearned perks and hefty bonuses would be a thing of the past. Business would be forced to compete equally and take a long-range view of profitability.

That was unacceptable to the privy council. They voted no—with a gun.

The vote had not been unanimous. Volmer, the young media baron, had been horrified by their plan. He wanted no part of it, despite the fact that he disagreed with the Emperor as much as anyone on the council. Although he had no talent for it, Volmer was a fervent believer in the art of persuasion. But he had always had whole battalions of reporters, political experts, and public relations scientists at his command, constantly feeding his enormous media empire. All that was inherited, so talent wasn't necessary.

Like most heirs, Volmer believed himself a genius. It was his fatal flaw. Even such a dimwit as Volmer should have been able to cipher the precariousness of his situation when he broke with his peers. But the bright light of his own imagined intellect had kept that fact hidden.

The elaborate plot that ensued claimed Volmer as its first victim. The architect of the plot was the Emperor's favorite toady, Tanz Sullamora.

For most of his professional life, Sullamora had licked the Eternal Emperor's boots. For decades, he saw his ruler as a being without visible fault. Certainly, he didn't believe him to be a saint, with gooey feelings for his subjects. He viewed the Emperor as a cold and calculating giant of a CEO, who would use any means to achieve his ends.

In that, Sr. Sullamora was absolutely correct.

He erred only by taking it to the extreme. Business was Sullamora's faith, with the Emperor as the high priest. He believed the Emperor infallible, a being who quickly calculated the odds and acted without hesitation. And the result was always the correct one. He also assumed that the Emperor's goals were the same as his own, and those of every other capitalist in the Empire.

To their complete dismay, many others had made the same assumption. But the Eternal Emperor's game was his own. It was his board. His rules. His victory. Alone.

As for infallibility, even the Emperor didn't think that. In fact, when he planned, he assumed error—his own, as well as others. That's why things mostly worked out in his favor. The Eternal Emperor was the master of the long view.

"You tend to get that way," he used to joke to Mahoney, "after the first thousand years."

The Tahn war was the result of one of the Emperor's greatest errors. He knew that more than anyone. But the conflict had been so fierce that he had been forced to be candid—to Sullamora, as well as to others. He started thinking aloud, running the logic down to his trusted advisors. How else could he seek their opinions? He had also revealed self-doubt and admitted his many mistakes.

That was a terrible blow to Tanz Sullamora. His hero was revealed to have feet of definite clay. The corporate halo was tarnished. Sullamora lost his faith.

Murder was his revenge.

To protect himself, he kept the actual details of the plot secret. He guarded his flanks by demanding that his fellow conspirators equally implicate themselves.

They had all fixed their prints to documents admitting guilt. Each held a copy of the document, so that betrayal was unthinkable.

But the particulars of Volmer's murder, the recruiting of Chapelle, and the subsequent death of the Emperor remained unknown to the other conspirators.

The members of the privy council watched the events at the spaceport unfold on their vidscreens along with the rest of the Empire. And there were no more fascinated viewers. They saw the royal party veer to the receiving line at Soward. They cheered Sullamora as their private hero. They waited in anticipation for the fatal shot. The tension was incredible. In a moment, they would be kings and queens.

Then the Emperor died.

Mission accomplished!

The explosion that followed surprised them as much as anyone else. The bomb might have been a nice touch. But it was inconceivable that Sullamora would commit suicide.

The council members assumed the madman, Chapelle, was merely making sure of his target. Oh, well. Poor Sullamora. Drakh happens.

Although it meant there were more riches to divide, they honestly mourned the man. As the chief of all transport and most major ship building, Tanz Sullamora could not be easily replaced. They also badly needed his skills at subterfuge, as well as his knowledge of the inner workings of Imperial politics.

His death meant that they had to learn on the job.

They didn't learn very well.

The Emperor had stored the AM2 in great depots strategically placed about his Empire. The depots fed immense tankers that sped this way and that, depending upon the need and the orders of the Emperor. He alone controlled the amount and the regularity of the fuel.

Defy him, and he would beggar the rebel system or industry. Obey him, and he would see there was always a plentiful supply at a price he deemed fair for his own needs.

The privy council immediately saw the flaw in that system, as far as their own survival was concerned. Not one member would trust any other enough to give away such total control.

So they divided the AM2 up in equal shares, assuring each of their own industries had cheap fuel. They also used it to punish personal enemies and reward, or create, new allies.

Power, in other words, was divided four ways.

Occasionally they would all agree that there was a single threat to their future. They would meet, consider, and act.

In the beginning, they went on a spending spree. With all that free fuel, they vastly expanded their holdings, building new factories, gobbling up competitors, or blindsiding corporations whose profits they desired.

The Emperor had priced AM2 on three levels: The cheapest went to developing systems. The next was for public use so that governments could provide for the basic needs of their various populaces. The third, and highest, was purely commercial.

The privy council set one high price to be paid by everyone, except themselves and their friends. The result was riches beyond even their inflated dreams.

But there was one worm gnawing a great hole in their guts. It was a worm they chose too long to ignore.

The great depots they controlled had to be supplied. But by whom? Or what?

In the past, robot ships—tied together in trains so long they exceeded the imagination—had appeared at the depots filled to the brim with Anti-Matter Two. Many hundreds of years had passed since anyone had asked where they might come from.

An assumption replaced the question. Important people knew—important people who followed the Emperor's orders.

Like all assumptions, it rose up and bit the privy council in their collective behinds.

When the Emperor died, the robot ships stopped. At that moment, the AM2 at hand was all they possessed. It would never increase.

It took a long while for that to sink in. The privy council was so busy dealing with the tidal wave of problems—as well as their own guilt—that they just assumed the situation to be temporary.

They sent their underlings to question the bureaucrats at the fuel office. Those poor beings puzzled at them. "Don't you know?" they asked. For a time, the privy council was afraid to admit they didn't.

More underlings were called. Every fiche, every document, every doodle the Emperor had scrawled was searched out and examined.

Nothing.

This was an alarming state of affairs, worthy of panic, or, at least, a little rationing. They only panicked a little—and rationed not at all.

They were secretive beings themselves, they reasoned. It was an art form each had mastered in his or her path to success. Therefore: An emperor had to be the most secretive creature of all. Proof: His long reign—and their momentary failure at figuring his system out.

Many other efforts were launched, each more serious and desperate than the last. Real panic was beginning to set in.

Finally a study committee had been formed from among their most able executives. The committee's objectives were twofold. One: Find the AM2. Second: Determine exactly the supplies on hand and recommend their disposition until objective number one had been reached.

Unfortunately, the second objective obscured the first for more than a year. If the Emperor had been alive, he would have howled gales of laughter over their folly.

"They tried that with the Seven Sisters," he would have hooted. "How much oil do you really have, please, sir? Don't lie, now. It isn't in the international interest."

The council would not have known what the Seven Sisters was all about, or the terrible need to know about something so useless and plentiful as oil. But they would have gotten the drift.

When asked, each member lied—poor-mouthed, as the old wildcatters would have said. The next time they were asked, they were just as likely to inflate the figures. It depended upon the political winds about the conference table.

What about the rest of the Empire? After they had been treated so niggardly, what would the truth gain the council?

Actually, the first outsider who had been questioned soon spread the word. Hoarding fever struck. There was less readily available AM2 than ever before.

Adding to the council's dilemma was a whole host of other problems.

During the Tahn wars, the Emperor constantly had been forced to deal with shaky allies and insistent fence sitters. When the tide turned, all of them swore long and lasting fealty. That, however, did not remove the cause for their previous discontent. The leaders of many of those systems had to deal with unruly populations; beings who had never been that thrilled with the Imperial system and became less so during the war.

Peace did not automatically solve such doubts. The Eternal Emperor had just been turning his attention to these matters when he was slain. The problems would have been exceedingly difficult to solve under any circumstances. It was especially so for his self-appointed heirs. If those allies of the moment had not trusted the Eternal Emperor to have their best interests at heart, than who the clot were these new guys? The council ruled by Parliamentary decree, but most beings in the Empire were cynical about the Parliament. They saw it as a mere rubber stamp for Imperial orders.

The Eternal Emperor had never discouraged that view. It was one of the keys to his mystique.

The Emperor had been a student and admirer of some of the ancient czarist policies. The czars were among the last Earth practitioners of rule by godhead. They had millions of peasants who were brutally treated. The czars used the members of their royal court as middle beings. It was they who wielded the lash and kept the rations to starvation level. The peasants did not always submit. History was full of their many violent uprisings. But the peasants always blamed the nobility for their troubles. It was the noble corpses they hung on posts, not the czar's.

He was a father figure. A kind of gentle man who thought only of his poor subjects. It was the nobility who always took advantage of his nature, hiding their evil deeds from him. And if only he knew how terrible was their suffering, he would end it instantly.

There was not one scrap of truth to this—but it worked.

Except for the last czar, who was openly disdainful of his people.

"That's why he was the last," the Emperor once told Mahoney.

It was just one of those little lessons of history that the privy council was unaware of. Although if they had known of it, it was doubtful if they would have understood it. Very few business beings understood politics—which was why they made terrible rulers.

Another enormous, festering problem was how to deal with the Tahn.

To Kyes, the Kraa twins, and the others, it was simple. The Tahn had been defeated. To the victors go the spoils, and so on.

To that end, the privy council had gutted all their systems. They had hauled off the factories for cannibalization or scrap, seized all resources, and beaten the various populations into submission and slave labor. They also spent a great deal of credits they didn't have to garrison their former enemy. The rape of the Tahn empire produced an instant windfall. But before they had time to congratulate themselves for their brilliance, the privy council saw all that gain going over the dike in an ever growing flood.

The Eternal Emperor could have told them that tyranny was not cost efficient.

An economic miracle was what the Emperor had in mind. At least, that was how he would have portrayed it. Certainly he had reprisals in mind. The purge would have been massive and complete. He would have wiped out all traces of the culture that had bred War into the war-loving beings.

But he would have replaced it with something. The will to fight would have been harnessed to the will to compete. Aid every bit as massive as the purge would have been provided. In his thinking, such single-minded beings as the Tahn would eventually produce credits in such plenty that they would soon become one of the most important capitalist centers in his empire.

They would have made wonderful customers of AM2.

Which brought the dilemma of the privy council to full circle.

Where was the AM2?

NEXT: STEN #7: VORTEX

*****






A NATION AT WAR WITH ITSELF: In Book Three Of The Shannon Trilogy, young Patrick Shannon is the heir-apparent to the Shannon fortune, but murder and betrayal at a family gathering send him fleeing into the American frontier, with only the last words of a wise old woman to arm him against what would come. And when the outbreak of the Civil War comes he finds himself fighting on the opposite side of those he loves the most. In The Wars Of The Shannons we see the conflict, both on the battlefield and the homefront, through the eyes of Patrick and the members of his extended Irish-American family as they struggle to survive the conflict that ripped the new nation apart, and yet, offered a dim beacon of hope.



*****

 LUCKY IN CYPRUS: IT'S A BOOK!



Here's where to get the paperback & Kindle editions worldwide: 


Here's what readers say about Lucky In Cyprus:
  • "Bravo, Allan! When I finished Lucky In Cyprus I wept." - Julie Mitchell, Hot Springs, Texas
  • "Lucky In Cyprus brought back many memories... A wonderful book. So many shadows blown away!" - Freddy & Maureen Smart, Episkopi,Cyprus. 
  • "... (Reading) Lucky In Cyprus has been a humbling, haunting, sobering and enlightening experience..." - J.A. Locke, Bookloons.com
*****
NEW: THE AUDIOBOOK VERSION OF

THE HATE PARALLAX

THE HATE PARALLAX: What if the Cold War never ended -- but continued for a thousand years? Best-selling authors Allan Cole (an American) and Nick Perumov (a Russian) spin a mesmerizing "what if?" tale set a thousand years in the future, as an American and a Russian super-soldier -- together with a beautiful American detective working for the United Worlds Police -- must combine forces to defeat a secret cabal ... and prevent a galactic disaster! This is the first - and only - collaboration between American and Russian novelists. Narrated by John Hough. Click the title links below for the trade paperback and kindle editions. (Also available at iTunes.)

*****
THE SPYMASTER'S DAUGHTER:

A new novel by Allan and his daughter, Susan


After laboring as a Doctors Without Borders physician in the teaming refugee camps and minefields of South Asia, Dr. Ann Donovan thought she'd seen Hell as close up as you can get. And as a fifth generation CIA brat, she thought she knew all there was to know about corruption and betrayal. But then her father - a legendary spymaster - shows up, with a ten-year-old boy in tow. A brother she never knew existed. Then in a few violent hours, her whole world is shattered, her father killed and she and her kid brother are one the run with hell hounds on their heels. They finally corner her in a clinic in Hawaii and then all the lies and treachery are revealed on one terrible, bloody storm ravaged night.



BASED ON THE CLASSIC STEN SERIES by Allan Cole & Chris Bunch: Fresh from their mission to pacify the Wolf Worlds, Sten and his Mantis Team encounter a mysterious ship that has been lost among the stars for thousands of years. At first, everyone aboard appears to be long dead. Then a strange Being beckons, pleading for help. More disturbing: the presence of AM2, a strategically vital fuel tightly controlled by their boss - The Eternal Emperor. They are ordered to retrieve the remaining AM2 "at all costs." But once Sten and his heavy worlder sidekick, Alex Kilgour, board the ship they must dare an out of control defense system that attacks without warning as they move through dark warrens filled with unimaginable horrors. When they reach their goal they find that in the midst of all that death are the "seeds" of a lost civilization. 
*****



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U.S. .............................................France
United Kingdom ...........................Spain
Canada ........................................ Italy
Germany ..................................... Japan
Brazil .......................................... India

TALES OF THE BLUE MEANIE
NOW AN AUDIOBOOK!

Venice Boardwalk Circa 1969
In the depths of the Sixties and The Days Of Rage, a young newsman, accompanied by his pregnant wife and orphaned teenage brother, creates a Paradise of sorts in a sprawling Venice Beach community of apartments, populated by students, artists, budding scientists and engineers lifeguards, poets, bikers with  a few junkies thrown in for good measure. The inhabitants come to call the place “Pepperland,” after the Beatles movie, “Yellow Submarine.” Threatening this paradise is  "The Blue Meanie,"  a crazy giant of a man so frightening that he eventually even scares himself. 
*****

  








Thursday, July 2, 2015

A July 4 Memory Of Chris Bunch - Ten Years Later

Your Intrepid Writers
*****

The following was written to mark the sad anniversary of the death of Chris Bunch, my friend and writing partner of over three decades. He died in the little town of Ilwaco, Washington on July 4, 2005. Although he'd been ill for some time, his death was sudden and unexpected.

A proud veteran of the Vietnam war, Chris always thought of himself as a soldier. Or "sojer," as he'd laconically put it. If he had to choose a day for his death, I suspect there could be no better than the date that marked the birth of the country he fought to defend.

He left behind his love of many years - Karen Eisenberg. As well as his sister - and my wife - Kathryn; his brother, Philip and mother, Elizabeth. He also left a score of books and over a hundred and fifty hours of screen dramas that millions of readers and viewers the world over have enjoyed to this day, and will enjoy long into the future. I was honored to have written many of those books and screen plays with him.

The fragments that follow are some of the memories I have of Chris:

FADE IN BUNCH & COLE


I first met Chris in our senior year at high school. He was sitting in front of me in journalism class, a tall guy, with an oversized head and a buzz-saw haircut. I was a CIA-brat - a student vagabond - and I'd just transferred in from Hollywood High, by way of Kubasaki High School in Okinawa. In short, I was in sore need of friends.

I looked over his shoulder and saw that he was engrossed in a very odd-looking book, with weird symbols and illustrations. I whispered: "What're you reading?"

He glanced back at me, displaying a long, shovel-shaped face, and steely blue eyes. He shrugged and showed me the cover. The book was "The Encyclopedia Of Witchcraft And Demonology."

Damn, I thought. Now this has got to be one interesting guy.

I gave him a thumbs up and a grin. "Name's Cole," I said.

He nodded. "I'm Bunch." Then went back to his book.

*****

PEPPERMINT SCHNAPPS GOES GOOD WITH RAIN


Over the din of a rare LA monsoon, I could hear somebody pounding on my front door. I staggered out, grumbling because I had a fucking eight o'clock psych class and some sonofabitch was banging at my door at three a.m.

I opened it and found Chris standing there, sodden and just a little drunk. Chris said, "You gonna let me in, Cole? I got a bottle."

I took him to the kitchen so he could drip on linoleum instead of carpet. He passed me a pint of Peppermint Schnapps.

I looked at the label and said, "When did you start drinking this shit."

Chris shrugged. "Peppermint Schnapps goes good with rain.

Doubtful, I took a hit. Listened to the rain pounding the roof. He was right. It did "go good with rain." I took another hit and passed the bottle back.

I said, "What're you doing here? Last I heard you were an English major up at San Jose State."

Chris grunted and said, "Nothing but a bunch of stupid kids there. And the classes bored the snake snot out of me."

"They threw you out," I guessed.

Chris nodded, took a couple of swigs - passed the bottle back. "We had an understanding that I'd just leave and not come back."

"What happened?" I asked.

Chris sighed and said, "I broke up a frat house water balloon fight with a .45." Another sigh, then he added, "I guess I wanted to be a sojer more than a fucking college jerk."

Realization dawned. I said, "You joined up?"

Chris nodded. "I report next week.

I thought about that a second, then asked, "Tell your folks yet?"

He shook his head. "I was on my way there, but it started raining, then it got a little drunk out, so I thought I'd crash with you and sober up."

I finished off the Schnapps, then said, "This the only bottle?"

"No," he said. "I've got a couple spares in the car."

*****

A DAY I'D RATHER FORGET


I hurt like hell - especially in the region of my gut. Also, there was something - or some things - sticking in my nostrils. Both my arms seemed weighted down. More pain, but not as bad as the business with my gut.

Then I started to remember and my heart gave a jump and I thought, "Aw, shit, shit, shit."

Somebody said my name and I opened my eyes. Things were blurry, but not so blurry that I couldn't recognize that big head, the buzz saw haircut, and shovel-shaped face."

"Why aren't you a blond?" I told Chris.

He said, "Lost my wig on the way down from Ord." This was Fort Ord outside of San Francisco where Chris was currently stationed.

I said, "You on leave?"

Chris shrugged. "Sort of." He went on: "I asked for emergency leave, they said no fucking way unless you were my brother. I said I was going anyway, so the sergeant busted me a grade, then gave me a pass."

"Thanks," I said. I didn't know what else to say.

Chris said, "No sweat. I re-upped for Vietnam, so they'll probably make me sergeant when I get back."

The pain was starting to return - bad - so I mashed the button for the nurse.

Chris said, "If you were gonna get yourself shot up, Cole, you should have joined the Army with me."

I didn't say anything - the nurse was pumping some miracle juice into the tube leading into my arm.

Chris said, "They said you got hit three times."

I said, "I zagged when I should have zigged."

Chris said, "The paper said you put the asshole through a window."

"It was a patio door," I said.

Chris said, "Good thinking. Not so far to fall."

I closed my eyes a second as the miracle juice cut in.

Chris said, "They said you held the son of a bitch until the cops came."

I didn't reply. Didn't see any reason to. Then I thought of something.

I said, "The surgeon took my belly button." I started to laugh, but it hurt.

Chris said, "Not to worry. They bolted your ass on pretty good."

I smiled, then started to fade away.

Chris said, "Carol and your brothers are with my mom and dad. They'll take care of them until your aunt flies in." Carol was my first wife. My brothers were Charles, 12; Drew, 8; and David, 3.

It made me feel better. I said, "Tell them… thanks."

I started to fade again. And from somewhere far away, I heard him say:

"Sorry about your mom, Al."

I said, "Yeah."

Then - "Yeah."

And I was gone.

*****

ONE, TWO, THREE, FOUR - WHAT'RE WE FIGHTING FOR?


When Chris was in Vietnam I was working at a weekly newspaper in Alhambra. It was just the beginning days of the war protests and everybody was arguing. Kids were demonstrating and politicians were bloviating. Meanwhile, the cops had expanded their tear gassing and bludgeoning of Civil Rights marchers to include Peace Activists and the world was a very confused and nasty place.

I wrote a column about it - laying out both sides of the debate. Then said with the country so divided that our guys in Vietnam must be conflicted as well. And it was not safe to be in enemy territory wondering who was right and who was wrong. I said my best friend was there now, and I hoped he wouldn't hesitate.

I said, "Forget the debate, Chris. If you have to shoot - Shoot."

A month or so went by. The newspaper I worked for sent free newspapers to GIs whose hometowns were in our circulation area. I'd included Chris on the list.

One day a battered letter arrived. It was from Chris. I opened it and the stink of the jungle rose up. I'd lived in areas with jungle so I knew that stink well.

Inside was a newspaper clipping - crumpled and green with mold.

I took it out.

It was a copy of the column.

And across it - in Chris' crazy, left-handed scrawl - was the word:

"BANG!"
*****

NIGHT SWEATS


It was two thirty in the morning. I knew this not because I'd looked at the clock on the nightstand, but because of the very fact that I'd just fought my way free of a nightmare and had rolled out of bed.

It had been two thirty in the morning when the intruder with the gun had come into our home and ever since then I always wake up from a nightmare at exactly that time. In days past, I'd get up and read a book until I fell asleep on the couch. These days - thanks to Kathryn - I clamp on a pair of headphones and listen to an Audiobook. And when I fall asleep it's in bed with Kathryn beside me - where I belong.

But this was way back in the book-and-couch days and so I automatically picked up the paperback on the nighstand and stumbled out into the living room.

Before I could flick on the light, I heard someone grunt and I saw a dark figure shoot up from the couch. It gave me a start, but then I remembered and turned on the overhead light.

It was Chris, getting up from the floor where, after coming off the couch, he'd dropped to one knee - bringing up a .45 to cover whoeverthefuck had entered his sleeping area. Next to the couch was an upside down ashtray and a knocked over can of Budweiser.

Chris looked at the mess, made a face and said, "I'll get some paper towels."

He went into the kitchen and called back softly, "Want a beer?"

I said sure and pretty soon he came out with a roll of paper towels, a six-pack and a Church Key. (What we called a beer opener in the days before pop tops and screw caps. It was sharp on one end for beer cans and flat on the other for the bottled variety.)

While he cleaned up, I opened the beers. Chris was just out of the Army and after a combat tour in Vietnam he was more than a little edgy. Hence the beer and the .45 beside the couch. (He would sleep with a gun close at hand the rest of his life, moving it from the floor to under his pillow in later years out of deference to the ladies.)

Chris was staying with us (my then wife, Carol and my brother, Charles, now 14) until he found an apartment. He'd just gone to work for McGraw Hill as an architectural reporter and was so bored that while in his cups he talked of gathering every copy of Ayn Rand's The Fountainhead he could find in the building - then, piling them up and making "a big fucking fire."

"There must be a couple of hundred of them," he'd said. "That's all they read. The Fucking Fountainhead. That, and maybe, None Dare Call It Treason. Never knew architects were such Fascist Piggies."

After dumping the trash, Chris came back and we drank cold beer together. He said, "I guess we're both pretty edgy. Me from Vietnam… and you from - you know."

I said, "Yeah, but do you hear voices?

He thought a minute, then said, "Sure, but I don't answer, so it works out okay."

I said, "But, Bunch - warm beer next to your bed? British beer, fine. But warm American beer? Jesus, how can you stomach it?"

Chris said, "You get used to it. The VC kept interdicting our ice supply on Highway 13. Atrocity committing sons of bitches."

We sat in silence a little longer, then Chris said, "Got a hit the other day from the War Resistor's League."

I said, "I hear J. Edgar calls them Draft Dodger's Anonymous."

Chris snorted. "Bullshit. He doesn't have that good of a sense of humor."

"Even so," I said. "The FBI has their eye on them."

"So what?" Chris said. He drank more beer. "Look, my unit took three hundred percent fucking casualties. All the guys I came over with were either sent home in bodybags or with pieces missing. All gone. Every swinging dick. Then replaced two times over. Pretty soon I was the Old Fucking Man at age 25. I have to tell you, Cole, I got real tired of taking kids out into the jungle to get killed."

I nodded. He'd said this before. It was what motivated him to hit up Stars And Stripes, who took him on as an Army combat reporter and photographer during his last days in Vietnam.

He said, "Fuck a bunch of draft dodgers. After eight years in the Army, I know the damn ropes. I can teach kids how to get out of the draft legally. Wouldn't make me feel better for the kids I got killed, but it'd be a start, you know?"

I said I did.

Chris said, "Another thing. I heard there was a job opening at the LA Free Press." The LA Free Press was the largest and most successful of the hundreds of Underground Newspapers starting up in those days."

"They pay like shit," I warned.

Chris laughed. "So does McGraw Hill," he said. "Plus," he added, "no fucking Ayn Rand."

And then we finished our beers and went back bed.

*****

GOD BLESS YOU, CHUCK BUKOWSKI


I pulled into the parking lot of Chris' apartment building in my 1960 Ford Galaxy. It was in decent shape for being ten years old, but after Chris and I had taken it over some bad ass roads in the Los Padres Mountains the automatic transmission had become confused. When you wanted to go forward, you had to put it in Reverse. And when you wanted to back up, you put it in Drive.

Chris was in his carport painting what I took to be the front door of an apartment unit. His buzzsaw haircut was long gone, replaced by a pretty respectable mane. He also sported a handlebar mustache, and wore a fatigue jacket with the sleeves cut off, jeans and well-worn motorcycle boots.

I exited the car - not forgetting the case of beer - and wandered over. Sure enough, he was indeed at work on an apartment door. Except, instead of paint, he was coating the thing with thick layers of clear shellac.

I said, "If that were wood-grained, maybe the shellac would make it look better. But, it's a shitty apartment building red or orange, or Whatnot. And the shellac is just making it look like an even shittier apartment building red or orange, or Whatnot."

Chris stood back from his work. "Look closer," he instructed, reaching over to get a beer from the case I'd set on the tarmac.

I looked closer. To my surprise, I saw a crudely-drawn penis attached to a set of testicles. Next to it was a little caricature of a bearded man. And beneath that was somebody's scrawled signature.

I said, "What the hell? Looks like Men's Room graffiti." Then I asked, "That your front door?"

Chris said, "It is."

I said, "I know this is a stupid question - but, why aren't you covering it up with red paint, or something? Shellac just makes it stand out more."

Chris said, "It's like this. Last night, Bukowski came by." (He was speaking of Charles Bukowski the underground poet and writer who would later acquire international cult status, but in those days he was an unknown. Chris, who was by now editor of The Oracle - a counter-culture newspaper - was among the few who published his stuff.)

"Chuck was drunk like he always is," Chris went on, "And he fell in lust with Big Carol." (Big Carol was Chris' girlfriend at the time - a tall, luscious blond and an ace photographer who would soon land a prestigious job at the LA Times.)

I said, "Everybody falls in lust with Big Carol."

Chris nodded. "Yeah, except Chuck insisted he was going kick my ass and take her away from me. Then he was going to - and I quote - 'Fuck her on your fucking bed, you fuck-ass peddler of fucking hippie propaganda.'"

"So you threw him out?" I supposed. Chris was big, but so what? Bukowski was so ravaged by alcohol and other substances he couldn't have licked a ten-year old even in a rare moment of sobriety.

"Well, I more or less gently pushed him out," Chris said. "I like him. And I like his shit. I'm gonna publish a special issue featuring his poetry next week."

I pointed at the defaced door. "He did that?"

"He did," Chris said. "He yelled and cursed, then went silent and we heard scratching at the door. Then there was more yelling and cursing and he went away."

I traded Chris a full beer for his empty while I waited for him to go on.

He said, "The landlady came by this morning for the rent and when she saw it she had fucking conniptions. Pounded on our door until I came out. And she's yelling - what the hell is this all about, you hippie bums?

"And I think real fast and then tell her - Don't you know? Why this drawing is by none other than Charles Bukowski, an incredible artist. All the gallery owners say his work will be worth thousands of dollars some day.

"Then I show her the signature, and say, 'And, we're in luck. He's even signed it. Why, this door is a fabulous piece of art. Can't you see that?'"

Impressed by his quick thinking, I said, "And she believed you?"

Chris nodded. "Not only that, but I agreed that instead of exchanging it for a new door to keep for myself, that I'd preserve Chuck's Brilliance with shellac and give it to her in lieu of this month's rent."

"No shit?" I said.

Chris finished off his beer.

"No shit," he said. and went back to work on the door.

*****

THE SILVER ARMADILLO ON A TANK


It was one hell of a party.

This was usually the case at Chris' house in Laurel Canyon, when he was the self-described "worst PR man in the history of Rock And Roll."

I forget who he worked for, but it was the biggest in the business and they had a new client list with all the top names. But, their reps were all suit and tie Doris Day and Pat Boone types, which wouldn't do to handle the likes of The Byrds, or The Turtles, or Frank Zappa, or Crosby, Stills, Nash & Young, or Emerson, Lake & Palmer - all of whom lived in Laurel Canyon in those days. (Oh, yeah, so did famed SF writers like Norman Spinrad and Harlan Ellison.)

Anyway, the party was going full blast when I got there. The house was packed with musicians, artists, writers, bikers and whoever else wandered in.

Chris spotted me and waved me into the kitchen. I thought it was to get a beer, but while I was fishing around in a big tub of ice for a Budweiser, he said, "Wait'll you fucking see, Cole."

I turned, beer in hand, noting that his eyes were dancing with excitement. I said, "Okay, what should I fucking see?"

To my amazement, Chris unhooked his belt and pulled it out from the loops. I took a step back. What the…?

To my relief, Chris unhooked what I took to be the buckle of his belt, and dropped the leather portion on a table.

"Take a look at this," he said, handing it over.

The thing was silver and very heavy. I hefted it.

"Is this pure silver?"

"About a pound's worth," Chris said. "But, never mind the silver. Look at that sucker."

I looked again. I wasn't sure what the thing was, but then it gradually came into vague focus. Some kind of animal? Perched on what? Tracks, like a tractor? And cannons? Were those cannons?

"I give up," I said.

Chris made a face. Damn, I was being slow tonight. He said, "Can't you see? That's an armadillo, crouched on top of a World War II tank."

And that's when it dawned. "The cover of the new Emerson, Lake & Palmer album?" I said.

"Tarkus," Chris said, confirming my guess by naming the new album. It was heavily anti-war and controversial in the straight world mostly occupied in those days by conservative music critics. It was also damned good.

Chris had become pretty tight with the group, and they'd let him produce one of the songs that ended up on the album.

I forget the exact details, but I think the belt buckle had been made for one of the group's members - maybe it was Carl Palmer. Anyway, they were so pleased with the help they'd gotten from Chris - not just with the work on the album, but his efforts to hype them - that they'd given it to him as a gift.

"Now, is that fucking cool, or what?" Chris said, fixing the buckle back onto the belt and running it through the loops again.

I admitted that it was. I said, "But, if you keep taking it off like that, people might get the wrong idea."

Chris snorted. "If they do, I'll whack 'em with the fucking buckle."

(Postscript: Chris' younger brother, Philip, has the belt now - silver armadillo-on-a-tank buckle and all.)

*****

RIDING BACKWARD AT 100 MPH


It was the summer of 1972, or 1973, when I got a call from Chris to meet him down on PCH (Pacific Coast Highway) where he was going to do a shoot.

I was working at the Outlook in Santa Monica then. The newspaper's two-story building sat practically on the bluffs overlooking PCH so it only took a minute to get down the hill in my little Austin American and meet him by the Jonathan Club. (The old rich man's beach club that infamously refused to admit Jews and other minorities. When Groucho Marx was asked his opinion of this policy, he famously replied: "But my wife isn't Jewish… so will they let my son go into the water up to his knees?")

Chris and a group of bikers were gathered in a parking lot near the club. Besides the bikes - all choppers - there were a couple of large open-bed trucks. Supervised by Chris, two guys were rolling a big Harley Shovelhead off one of the trucks.

In those days Chris was the editor of Chopper Magazine, and the "shoot" he was talking about was for the cover of the next issue. The fabulously chopped Harley - complete with a tricked out candy-apple red peanut gas tank - was no doubt the subject of that cover.

When Chris spotted me he said, "Hope you aren't looking for a beer, because the yard arm's down until after the shoot."

was looking for a beer - what the hell did he think I drove all the way down the hill for? But, I manfully said, "I can wait."

Somebody straddled the Shovelhead, kicked it over, and it roared into life . Then he leaned it on the kickstand and got off.

Chris grinned. "Don't you love that sound? Pure Harley Fucking Davidson. If the Japanese ever figure out how to pipe that sound into their Rice Burners the American market will go tits up."

But, before I could think he'd maybe gone all soft on me he added, "Too bad they leak oil worse than a pigeon with the shits. See a garage with a 30-Weight-stained floor and you know a Hog lives there."

Chris gave the nod to a big biker, who'd traded his originals for more Citizen-like leather jacket and jeans. He climbed aboard the Shovelhead and sat there looking uncomfortable in his Civvies and newly trimmed beard.

I said, "Shit, is that Friendly Fred?"

Chris said it was. Friendly Fred used to be known as "Attitude Fred," but he was so nasty that his biker brothers - bad asses all - tossed him out of the club. A year or so later he returned, swearing he was a changed man, and they took him back.

So, now he was Friendly Fred, but even with his kinder and gentler nature he usually looked way more felonious. Chris had obviously told him that he didn't want a Most Wanted look for the cover. If the magazine had been Easy Rider - another publication Chris worked for - it would have been different. Except, maybe Chris would have traded the biker dude for a Chick in nothing but a skimpy bikini and strategically placed "Property Of" Tats.

(Chris had once dated Jennifer Gan, a very sexy B-Movie actress who was starring in a Roger Corman biker movie - Naked Angels. One of the many pictures he took of her for a magazine spread ended up - literally - as the inspiration for the movie's poster.)

My friend was in full work mode now, camera out and shooting pictures. He moved around the bike and Friendly Fred a few times, getting different angles - favoring those with a beach and rolling Pacific background. Then he stopped and walked back to me while reloading.

"You follow in your car, Cole," he said. "And when I've got enough, we'll stop some place handy and buy a case on my expense account. We can put it in your trunk."

So, that's why he'd called. He needed somebody to play Gunga Din, but with beer. I shrugged, What the hell, got into the little Austin, goosed it into life, and waited.

Chris had on an old bomber's jacket with lots of pockets, which he was stuffing full of film cartridges. He draped two cameras around his neck, but I knew he'd mainly use his motor-drive Nikon which he'd bought at the PX back in his Vietnam bush-humping days. He'd saved his Army pay for months to make the price of that Nikon and he loved it almost as much as the Bonneville Triumph he'd bought with his mustering-out wages. (The rest went for a couple of cases of Ancient Ancient Age Bourbon, which we'd disposed of long ago.)

Another biker throttled over to where Chris stood and he climbed on behind him. It was a nice 4-cylinder Honda chopper, if I recall correctly. Property of the same chop shop that had turned an ugly full dresser Harley into a thing of such rare beauty that it had been chosen to grace the cover of Chopper Magazine.

Except, hold on - Chris wasn't sitting facing the guy's back like an ordinary passenger.

He was turned the other way!

Facing out!

I mean, for crying out loud, don't you get it? He was riding fucking backwards! His boot tips curled around the passenger pegs to keep from falling off.

I wanted to jump out and shout, Bunch, wait! Are you fucking nuts! You're gonna get killed! Then your mom's gonna kill me because I'm here and I didn't…

But it was too late. Chris signaled and his bike pulled away, the shovelhead chopper carrying Friendly Fred following. Some other bikes pulled in behind them and so there was nothing to do but join this weird-ass convoy and think nothing but "Please, God" thoughts just as hard as I could.

We headed down PCH, Chris blazing away with his motordrive. Running through rolls of film. Changing them while in full flight.

Then we came to that long curving stretch that snakes along the Pacific Ocean and the sky was blue, the waves were high and there was almost no traffic whatsoever.

And then we started going faster.

And faster.

And faster still.

And, then Jesus, we were going so fast the little Austin felt like she was coming off the ground and I had to back the hell off before she took flight into yon ditch. The one with the big telephone pole poking out of it.

My last view of Chris was of him sitting backward on the Honda chopper, hair billowing and whipping his face. Camera aimed like a gun. Firing away. And the only thing holding him on were his boot tips, straining against the pegs.

Later I learned that Chris and the others had pegged out at 100-Plus mph before ending the shoot. I found them a couple of bends of the road later, pulled over onto the gravel, laughing and congratulating each other for surviving yet another of Bunch's damn-fool camera stunts.

I stayed in the Austin while they all yakked, waiting for my heart to fully understand that we were done now and it was okay to beat at a nice, normal rhythm. Chris sent his guys back to where the pickups waited then hopped into the car beside me.

For a minute, I couldn't speak. I just looked at him - grinning at me like crazy. Eyes glittering with adrenalin and pure joy.

Finally, I said, "Bunch, I am so glad you are fucking alive, because now I can kill your ass for scaring me like that."

Chris laughed, then said, "Is there a liquor store around here?"

I sighed. Turned back to the wheel.

"Just up around the next bend," I said. "Across from the Malibu sheriff's station."

*****

THE MISADVENTURES BEGIN


The Sunday after my thirty-third birthday, a ringing phone brought me out of the front yard - where I'd been playing with the kids - into the little Hermosa Beach cottage where we lived.

I was slave to that phone - the plight of city editors the world over. Usually it was nothing but a bored cop shop duty officer fucking with the local press, but sometimes it was a passenger jet pancaking into Santa Bay; and once, in the middle of the night, it had been the LAPD shootout with the SLA, the gang that had kidnapped Patty Hearst.

(Critics say there were more bullets fired by the cops than all the wars the U.S. has ever fought. An exaggeration, to be sure, but when my hearing deserted me a few years ago, I blamed it on that night.)

This time, however, it wasn't the cops. It was Chris. He said, "We gotta talk."

 "Okay," I said. "But you'd better not come here. And I'd better not go there."

 Chris said, "Where do you want to meet?"

 I suggested The Bay 90's - a Manhattan Beach restaurant I'd worked at years before. It was always quiet on a Sunday afternoon.

 He agreed, we set a time, and I took a shower, donned fresh clothes, and climbed into the Cherokee Jeep I was driving at the time. It was new, looked great, but proved to be a lemon. Why, oh why, hadn't I bought a nice, reliable Toyota Land Cruiser?

 If you think I'm being (a) unpatriotic, and (b) unfairly maligning the Cherokee, you should know that the model year I owned had a tendency to flip itself into permanent 4-Wheel Drive. The only way to make it quit - and this I learned after many calls to many Jeep mechanics - was to find the little Alan Wrench taped to the bottom of the glove compartment. In the back of said glove compartment was a small, deep hole. You poked the Alan Wrench into that hole and turned it. Then you put the Cherokee into reverse and backed up in an S pattern until the 4-Wheel drive let go. This never worked the first try.

Anyway, I got into the Cherokee - prayed to the Gods of 4-Wheel Drive - and made it without incident to the Bay 90's.

 If you are wondering why Chris and I had to meet on neutral ground, it was because a couple of weeks before we'd had big damned fight. Actually, his first wife and my first wife got into a dispute and we - damned fool males that we were - stuck our noses into it.

In short, until Chris called we hadn't been on speaking terms.

 Once in the restaurant I stopped to stick my head into the kitchen and say hello to Angelo - the Mexican chef who had broken me into the restaurant game years before. (His recipe for Angelo Stew - the ultimate hangover cure - is the dish the Eternal Emperor cooks for Sten in The Court Of A Thousand Suns)

I was early, so Chris wasn't there. There was just me, the bartender, Skip, and a barfly in the corner nearest the back exit. Don't get the wrong idea - the Bay 90's was a nice place, so the barfly was of the inoffensive, aerospace stalled middle-management variety. In short, a guy who had reason to drink, but wore a nice jacket and tie to do the business.

I got a Scotch, exchanged pleasantries with Skip, and a few minutes later Chris came in. He stuck a haunch on the bar stool beside me. Our hellos were strained, so we had a couple of hits off our drinks before we started.

Then Chris said, "I'm sorry for my 51 percent."

I said, "And I'm sorry for my 51 percent."

We shook hands. Drained our drinks, ordered more and swore that in the future we'd let women work things out themselves without our (unwelcome) interference.

And that was the end of it.

Skip came over with our drinks. I introduced him to Chris and then Skip chuckled and said, "You know, when I saw you, the first thing I remembered was that night you fell off the stairs."

I laughed and when Chris displayed a puzzled grin, Skip explained. He indicated a short stairway that led up to the restaurant's second level, which looked out over the scene below. It was mainly for cocktails and big groups of diners. On weekend nights there was a Honky-tonk piano player to regale the crowd.

Skip said, "One night Al, here, started down those stairs with a big damned tray of dishes and glasses. He was carrying it waiter style - over his head and one-handed."

Chris nodded. He got the picture.

Skip said, "I just happened to be looking that way at the time. And Al caught his heel, or something, and fell down that whole flight of stairs. Tray and all."

Skip broke off to laugh at the memory. Me joining in and Chris getting a chuckle too.

Then Skip said - "But, you know what?"

Chris shook his head. He didn't.

"I'll tell you," Skip said. "It was the damndest thing. Old Al, here, landed at the bottom of the stairs on his back. Tray still held over his head with one hand. And he didn't break one dish, or spill one drop. And we all just stared a minute, then, I turned and rang this bell."

Skip demonstrated, turning and banging the old fire bell that hung over the bar.

"The whole place stood up and applauded," Skip said.

Chris got a laugh at that. "Cole always was fast on his feet," he said.

Skip said, "In this case, it wasn't Feet he was fast on. It was All Ass - all the way down the stairs."

We had another good laugh over that, finished our drinks, and got two more. Then Skip asked if I could hold the fort a second. He had to get more ice.

"If you need me for anything," he said, "just reach over the bar and smack the bell."

I said no problem, and he took off, leaving us and the barfly alone.

After a minute, Chris observed, "You turned thirty three last week."

I said I had.

Chris said, "I'll be catching up with you in a few weeks."

I agreed this was so. My birthday was November 19. His was December 22.

Chris said, "You know, when we first met we both swore we were going to write books some day. Hell, whenever we get together, what we mostly talk about is the books we're going to write one of these days. And now, we're thirty three fucking years old and 'One Of These Days' still hasn't come around."

I agreed and said, "It's been bugging me, too. I like being a newsman. Hell, I love being a newsman. But, the only reason I got into the newspaper business is because that's how Hemingway started. Stupidly, I figured I'd do the same."

Chris said, "Same with me. Although, I'm not straight press like you, I enjoy the shit out of what I'm doing. And I get paid for writing magazine stuff and so maybe that's why I've been delaying getting down to the serious shit."

"You know we both take a stab at it every once in awhile," I pointed out. "But you get tired after slinging words around all day. Too tired to come home and start in again on something you only have hopes of getting paid for."

"There it is," Chris said.

A long silence. Then, I said, "I'm going to have to shit or get off the pot pretty soon. I've been getting hits from some big papers. A buddy at the Philadelphia Inquirer has been after me to come on over. Says they're winning Pulitzers right and left there. The thing is, if I'm going to stay in newspapers, it's time to make that kind of move. If not…"

I let the rest trail off.

Chris said, "I was thinking - maybe we could team up."

I looked at him - interested.

Chris said, "You know, if it was the two of us - getting together after work every day - then you could guilt-trip me if I tried to sluff off. And I could guilt-trip you right back for the same reason."

I thought about it and could see nothing wrong with the notion. I'd known Chris since high school. And, except for rare instances, we got along famously. Knew how each other thought. Mostly shared a common view of life. And most important of all - we were both superior writers. Hell, we were World Class Writers, were we not? And we both knew it and if we didn't do something pretty soon, we'd regret it the rest of our lives.

I said, "It's a deal."

Chris said, "We split everything fifty percent. Right?"

I said, "Right."

And Chris said, "If we get into an argument about the writing, whoever feels the strongest about it gets a 51 percent vote. No questions asked. Right?"

"Right," I said.

"When do you want to start?" Chris said.

"How about tomorrow?" I said.

"Deal," Chris said, sticking out a hand.

We shook. Clinked glasses. And polished off our drinks.

I knew we'd need another to really seal the deal.

So, I leaned over the bar and gave that firebell a whack.



NEXT: STEN #6 – RETURN OF THE EMPEROR.

*****






A NATION AT WAR WITH ITSELF: In Book Three Of The Shannon Trilogy, young Patrick Shannon is the heir-apparent to the Shannon fortune, but murder and betrayal at a family gathering send him fleeing into the American frontier, with only the last words of a wise old woman to arm him against what would come. And when the outbreak of the Civil War comes he finds himself fighting on the opposite side of those he loves the most. In The Wars Of The Shannons we see the conflict, both on the battlefield and the homefront, through the eyes of Patrick and the members of his extended Irish-American family as they struggle to survive the conflict that ripped the new nation apart, and yet, offered a dim beacon of hope.



*****

 LUCKY IN CYPRUS: IT'S A BOOK!



Here's where to get the paperback & Kindle editions worldwide: 


Here's what readers say about Lucky In Cyprus:
  • "Bravo, Allan! When I finished Lucky In Cyprus I wept." - Julie Mitchell, Hot Springs, Texas
  • "Lucky In Cyprus brought back many memories... A wonderful book. So many shadows blown away!" - Freddy & Maureen Smart, Episkopi,Cyprus. 
  • "... (Reading) Lucky In Cyprus has been a humbling, haunting, sobering and enlightening experience..." - J.A. Locke, Bookloons.com
*****
NEW: THE AUDIOBOOK VERSION OF

THE HATE PARALLAX

THE HATE PARALLAX: What if the Cold War never ended -- but continued for a thousand years? Best-selling authors Allan Cole (an American) and Nick Perumov (a Russian) spin a mesmerizing "what if?" tale set a thousand years in the future, as an American and a Russian super-soldier -- together with a beautiful American detective working for the United Worlds Police -- must combine forces to defeat a secret cabal ... and prevent a galactic disaster! This is the first - and only - collaboration between American and Russian novelists. Narrated by John Hough. Click the title links below for the trade paperback and kindle editions. (Also available at iTunes.)

*****
THE SPYMASTER'S DAUGHTER:

A new novel by Allan and his daughter, Susan


After laboring as a Doctors Without Borders physician in the teaming refugee camps and minefields of South Asia, Dr. Ann Donovan thought she'd seen Hell as close up as you can get. And as a fifth generation CIA brat, she thought she knew all there was to know about corruption and betrayal. But then her father - a legendary spymaster - shows up, with a ten-year-old boy in tow. A brother she never knew existed. Then in a few violent hours, her whole world is shattered, her father killed and she and her kid brother are one the run with hell hounds on their heels. They finally corner her in a clinic in Hawaii and then all the lies and treachery are revealed on one terrible, bloody storm ravaged night.



BASED ON THE CLASSIC STEN SERIES by Allan Cole & Chris Bunch: Fresh from their mission to pacify the Wolf Worlds, Sten and his Mantis Team encounter a mysterious ship that has been lost among the stars for thousands of years. At first, everyone aboard appears to be long dead. Then a strange Being beckons, pleading for help. More disturbing: the presence of AM2, a strategically vital fuel tightly controlled by their boss - The Eternal Emperor. They are ordered to retrieve the remaining AM2 "at all costs." But once Sten and his heavy worlder sidekick, Alex Kilgour, board the ship they must dare an out of control defense system that attacks without warning as they move through dark warrens filled with unimaginable horrors. When they reach their goal they find that in the midst of all that death are the "seeds" of a lost civilization. 
*****



Here's where you can buy it worldwide in both paperback and Kindle editions:

U.S. .............................................France
United Kingdom ...........................Spain
Canada ........................................ Italy
Germany ..................................... Japan
Brazil .......................................... India

TALES OF THE BLUE MEANIE
NOW AN AUDIOBOOK!

Venice Boardwalk Circa 1969
In the depths of the Sixties and The Days Of Rage, a young newsman, accompanied by his pregnant wife and orphaned teenage brother, creates a Paradise of sorts in a sprawling Venice Beach community of apartments, populated by students, artists, budding scientists and engineers lifeguards, poets, bikers with  a few junkies thrown in for good measure. The inhabitants come to call the place “Pepperland,” after the Beatles movie, “Yellow Submarine.” Threatening this paradise is  "The Blue Meanie,"  a crazy giant of a man so frightening that he eventually even scares himself. 
*****